Sandro Botticelli
Sandro Botticelli's Oil Paintings
Sandro Botticelli Museum
c. 1445 – May 17, 1510. Italian painter.

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Frida Kahlo
Self-Portrait Dedicated to Sigmund Firestone

ID: 35617

Frida Kahlo Self-Portrait Dedicated to Sigmund Firestone
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Frida Kahlo Self-Portrait Dedicated to Sigmund Firestone


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Frida Kahlo

1907-54 Mexican painter, b. Coyoacen. As a result of an accident at age 15, Kahlo turned her attention from a medical career to painting. Drawing on her personal experiences, her works are often shocking in their stark portrayal of pain and the harsh lives of women. Fifty-five of her 143 paintings are self-portraits incorporating a personal symbolism complete with graphic anatomical references. She was also influenced by indigenous Mexican culture, aspects of which she portrayed in bright colors, with a mixture of realism and symbolism. Her paintings attracted the attention of the artist Diego Rivera, whom she later married. Although Kahlo's work is sometimes classified as surrealist and she did exhibit several times with European surrealists, she herself disputed the label. Her preoccupation with female themes and the figurative candor with which she expressed them made her something of a feminist cult figure in the last decades of the 20th cent.   Related Paintings of Frida Kahlo :. | The little girl fold the diaper | Self-Portrait | Isolda in Diapers | Without Hope | Viva la Vida |
Related Artists:
Trigoulet Eugene
French ,1867-Berck-sur-Mer 1910
Fernand Leger
French Cubist Painter, 1881-1955,was a French painter, sculptor, and filmmaker,Leger was born in the Argentan, Orne, Basse-Normandie, where his father raised cattle. Fernand Leger initially trained as an architect from 1897-1899 before moving in 1900 to Paris, where he supported himself as an architectural draftsman. After military service in Versailles in 1902-1903, he enrolled at the School of Decorative Arts; he also applied to the Ecole des Beaux-Arts but was rejected. He nevertheless attended the Beaux-Arts as a non-enrolled student, spending what he described as "three empty and useless years" studying with Gerome and others, while also studying at the Academie Julian. He began to work seriously as a painter only at the age of 25. At this point his work showed the influence of Impressionism, as seen in Le Jardin de ma mere (My Mother's Garden) of 1905, one of the few paintings from this period that he did not later destroy. A new emphasis on drawing and geometry appeared in Leger's work after he saw the Cezanne retrospective at the Salon d'Automne in 1907. In 1909 he moved to Montparnasse and met such leaders of the avant-garde as Archipenko, Lipchitz, Chagall, and Robert Delaunay. His major painting of this period is Nudes in the Forest (1909-10), in which Leger displayed a personal form of Cubism??his critics called it "Tubism" for its emphasis on cylindrical formsethat made no use of the collage technique pioneered by Braque and Picasso. In 1910 he joined with several other artists, including Delaunay, Jacques Villon, Henri Le Fauconnier, Albert Gleizes, Francis Picabia, and Marie Laurencin to form an offshoot of the Cubist movement, the Puteaux Group??also called the Section d'Or (The Golden Section). Leger was influenced during this time by Italian Futurism, and his paintings, from then until 1914, became increasingly abstract. Their vocabulary of tubular, conical, and cubed forms are laconically rendered in rough patches of primary colours plus green, black and white, as seen in the series of paintings with the title Contrasting Forms. Leger's experiences in World War I had a significant effect on his work. Mobilized in August 1914 for service in the French Army, he spent two years at the front in Argonne. He produced many sketches of artillery pieces, airplanes, and fellow soldiers while in the trenches, and painted Soldier with a Pipe (1916) while on furlough. In September 1916 he almost died after a mustard gas attack by the German troops at Verdun.
Domenico Feti
1589-1625 Italian Domenico Feti Locations Italian painter. Court painter to the Gonzaga family in Mantua, Feti was influenced by the chiaroscuro technique of Caravaggio. His later works, such as Melancholia (Louvre), belong, in their use of color, to the Venetian tradition.






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